Thursday, 20 June 2013

Analysis of Feist's '1234' Music Video



Music, Lyrics and imagery work in synergy:
  • Music and dance moves work together
  • Some of her movements match lyrics for instance a 'tears' movement

Performance Drives the music video and is sustained throughout:
  • Feist's performance is the focus throughout
  • She is never off screen
  • She starts the music video alone, establishing her as the focus

Artist lip-synch believably throughout:
  • Yes

Role of band may switch between artist performance and character:
  • Feist continually performs throughout the video

Singing/Dancing/Playing Instruments:
  • There is singing and dancing all the way though
  • The dancers come and go
  • Creative dance positions and formations provide the entertainment value

Conform to expectations of genre/artist:
  • This was her first hit so it established her repuation as an artist
  • Quirkiness of the video is reflective of the indie genre
  • Made her appear funny, different and interesting

Artist Performance is engaging/impactful/visually striking:
  • Feist is the main performer, stnading out in a blue glittery jumpsuit
  • The complex cheorography is emphasised by the dancer's bright costumes, with Feist being the centre of the dance, drawing attention to her
  • The shapes the dancers create around her as well as how she is lifted up

Highly Stylised costume/hair/make up/background/effects:
  • Brightly coloured costumes
  • Feist stands out because she wears sequins
  • Backing dancers are a range of ages, genders and races
  • Casual, laid back clothes
  • Plain background of the warehouse contrasts with dancers
  • Blocks of coloured board leaning against the walls
  • Everything is quirky and connotes a sense of joy and fun

Strong Sense of Development is expected:
  • Cyclical - begins and ends with her alone as the dancers appear and then disappear behind Feist
  • Dance grows more ambitious and exciting
  • Builds up to when she is put down and the dancers skip in lines
Strong sense of artist identity and aspirational to artist's fans:
  • Creating a sense of quirkiness, fun and prettiness around her
  • Establishes her as creative and someone to keep an eye on
  • The brightness and happiness of the video is appealing
  • The dancing looks really fun, and the originality of the video means that it would attract many new fans

Beauty/Money Shots:
  • Feists jumpsuit, stylish hair and the fact that she is at the forefront of the video
  • There are a few MSs and CUs, but she is the focus of the shot throughout the entire video
  • The originality of the idea makes her seem more aspirational

Extreme juxtapositions and binary oppositions:
  • The camera tracks in and out very quickly
  • At one point it spins around as it tracks through the tunnel of dancers
  • The greyness of the warehouse compared to the brightness of the mise en scene

Discontinious editing:
  • There is only one shot
  • When the dancers come in and go out may be an example

Polysemic:
  • When the dancers from a spiral around her it not only makes her the centre, but also connotes time as it is reminiscent of a clock shape (which relates to the lyrics '1234'), as well as snails or shells
Provokes a strong audience reaction:
  • The quirkiness and originality of it menat many people shared it online
  • It's cleverness appealed to people
  • The way the dancers appear and reappear is particurlarly impressive, and the intricacy of the dance being filmed in one shot impresses

Wednesday, 5 June 2013

Julia Margaret Cameron

Perhaps the greatest portrait photographer ever, Julia Cameron was a unappreciated pioneer back in Victorian times, as well as being the writer Virginia Woolf's aunt. She took up photography aged 48, in an art world dominated by men where she was looked down upon for her unorthodox style.

She took up photography relatively late, aged 48 in 1863, and needed the money.

Her pre-raphaelite work is what she is remembered by art historians for, along with her portraits of notable Victorians like Alfred Tennyson, Charles Darwin and Robert Browning.


Pre-Raphaelite work:



Portraits: