Wednesday, 6 March 2013

Eliot vs Yeats's portrayal of the past


How do Yeats and Eliot present the past?
Both Eliot’s and Yeat’s poems explore the way that memory shapes us and yet, when under scrutiny, it is unreliable, easily changed and barely a remnant of what once was.      
             
Eliot explores the way in which the past is the foundation of our characters in Rhapsody on a Windy Night. The moon, despite being old and having ‘lost her memory’ still acts like a young girl in her prime, and seems unable to escape from her younger self. Eliot portrays her as a beautiful society girl, who ‘winks’ and smiles’ flirtatiously at non-existent lovers while she ‘smoothes the hair’, with the care she takes over her appearance connoting that she was once very pretty. The moon is thousands of years old, and the reader realises this through Eliot’s descriptions of her as ‘feeble’ and as having ‘smallpox while the moon is unaware that she is such a pathetic figure. The moon may represent the way that mankind clings onto the past, and its obsession with staying young, or the way that the past can be detrimental, tricking us into living in a falsehood but defining our presonaltites. Its long lasting effects are shown in the way that the moon ‘twists a paper rose that smells of dust and eau de cologne’, as it is almost like a nervous tic or a vehicle on which to take out her distress. The way the past mingles with the present is shown in the way that the perfume of her youth mixes together with the smell of dust of her present decay. The narrator experiences the same pain as the moon does from remembering his past, as he describes it as the ‘last twist of the knife’ indicating that the past stays with you but at a high cost. Eliot could perhaps be suggesting that while memory defines us, it does not always have a positive effect, and that we must continue living in the present if we are to escape the pain of the past.

Eliot explores the way that memory can provoke emotions not only in Rhapsody on a Windy Night but also in The Journey of The Magi and The Burial of The Dead.  All three poems explore the pain that reminiscing gives them, although the past is full of beauty. Marie in ‘The Burial of the Dead’ seems to recall her youth as full of light and beauty as the ‘summer surprised’ them with ‘showers of rain’ and ‘sunlight’. This contrasts with what would seem to be Marie’s present, as her tone abruptly changing from nostalgic and content to dispassionate and clipped, perhaps showing how her circumstances have changed. There are 10 lines full of joyous remembrances of a happy past, then a single line stating that now she just reads ‘much of the night, and (goes) south in the winter’. The fact that now she stays up in the dark and hides from real life, as well as the connotations of bird migration when she ‘goes south in the winter’ suggests that she is enjoys the freedom that her happy memories give her, and perhaps she is ‘migrating’ or returning again and again to her past because she feels ‘free’ and happy. In ‘The Journey of The Magi’ and ‘Rhapsody on a Windy night’ the past has the opposite effect, hurting and numbing people. The memories the narrator explores in ‘Rhapsody on a Windy night’ are no where near as pleasant as Marie’s, with Eliot filling them full of grime, ‘cats... devour(ing) a morsel of rancid butter’ and an ‘eye’ like a ‘crooked pin’. In this Eliot explore the different effect of the past on people, but to both of them the past, while provoking long gone emotions, is also painful, keeping them living in their minds instead of the world.

Eliot and Yeats both investigate the way that long lost love still intrudes upon the present. In Yeat’s poem ‘To a Young Girl’ he looks at the way that the love he felt is still with him and that though ‘young girls’ think they are in love and indeed are the right age and probably of the right sensibility, he still loves ‘more than another’ or at least can still recall this love as though it had never gone. Unlike him the woman he loves ‘has forgot’, meaning that now he is alone in his love, and the fact that she has ‘forgot’ might make it all the more poignant for him. The contrast  in the two old lovers feelings probably indicate their difference in feelings at the time of their love, as she ‘broke his heart’ but in was only ‘her blood’ that was ‘astir’. Her lust compared to his love is probably the reason that he remembers, and the differences in how people remember the past is another way in which it shapes their present. Perhaps Yeats is suggesting that the deeper the feelings the deeper the memory, but in Eliot’s Rhapsody on a Windy Night  we get no such comparison, as his memory tortures him and drives him awawy from others as he walks the streets at ‘Twelve o’clock’. ‘The Woman’ described in the poem could be a stranger, a prostitute, or perhaps a dead figure from his past. Whoever she is the name of ‘the woman’ makes her seem impersonal and a little frightening, and she could be a metonym for all his relationships with women. The way in which these figures of the past plague him though could perhaps indicate a deep emotional attachment, and because she ‘hestitates towards’ him there is an implication that there may be a relationship between them. In both the poems the narrators reflections of women are not particularly pleasant or reassuring, again reiterating the dangers of memory.

Eliot explores the way in which memories of the past decay and alter, until they become like a ‘dead geranium’. The fact that the ‘geranium’ can still be recognised is significant though as it suggests that, while memories retain their ‘skeleton’ they are just bare remnants of the beauty and life that they actually contained whilst being lived out. Eliot continues with his use of a nature lexis, describing memory as a ‘twisted branch upon the beach/Eaten smooth, and polished’, which suggests that memory is a natural thing, and therefore decays naturally. The way the branch has been ‘eaten smooth’ by the sea is also a natural process, but it is also sad as the branch has lost part of itself and has become a ‘smoother’ and lesser version of itself. This reflects the suggestion in the poem that memory is unreliable as it no longer has its full form, and just as the branch has lost its rough bark so do memory lose the things that displease or embarrass us, become ‘smooth’ and easier to remember. The ‘beach’ suggests that the branch is constantly washed with the tide coming in, its outer surface eroding gradually until it is barely recognisable to what it once was, much in the way that humans look back into the past, altering their memories each time. The ‘branch’ becoming ‘smooth’ could also represent the way that humans easily forget the past, as what used to be is gradually broken down and lost. Either way, Eliot looks at the way we lose sight of and try to change the past, and while it is natural to forget things if we are not careful we may lose them forever.

In conclusion I think that Eliot present memory as a dangerous and potentially destructive thing, with Yeats backing him on ideas of memory creating pain.

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