- early films about mythology, religion, saw stars as gods
- first made in 1913
- early prints had silver - where stripped down for metal
- First superstar from Kismet
- Bombay Talkies - formed by 2 film stars
- Sensorship under British rule
- Raj Kapoor and Nargis
- Nargis was in Mother India
- 1950s saw rise of parallel cinema - more complex women
- Auteurs like Guru Dutt, Satjayvit Ray
- Playback singers
- Rise of 'angry young man' character
- 80s was a bad time
- Rise of Films appealing to diaspora
- Satellite TV, rise of middle class - sense of pride, opening India's borders
- Single screen cinemas and more expensive multiplex cinema
- Regional cinema as well
Showing posts with label Bollywood. Show all posts
Showing posts with label Bollywood. Show all posts
Monday, 28 March 2016
History of Bollywood and Indian Film
Sunday, 17 August 2014
Dil To Pagal Hai
Techniques Used
- Begins in clear studio setting with bright light behind setting this bit up as something different from reality - introducing us to the characters and their utterly opposite beliefs
- Cuts out to reveal them sitting on yellow benches - benches then occupied by loving couples for the duration of the title sequence
- Colour shifts completely from yellow to blue
- Jump Cuts in MS during musical number to show frustration between male and female dancer
- Cuts from her to him both doing a similar dance move though in different places
- A shot in which there are two versions of the couple showing the different sides of their relationship; lovers and friends
- Pooja's flash back is illustrated by her turning and an OTS revealing why she must be dutiful to her aunt
Labels:
Bollywood,
Film Analysis,
Genre
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